![]() If everything looks great, then click Apply Match.įor more exclusive Final Cut Pro tutorials, be sure to check out the PremiumBeat FCPX page. Final Cut Pro X will give you an instant color grading preview. Click the Enhancements pop-up menu below the viewer and choose Match Color. Do one of the following: Choose Modify > Match Color (or press Option-Command-M). Next, scrub through the clip you want to match and click the layer. In the Final Cut Pro timeline, select one or more clips that you want to adjust. You can also use the keyboard shortcut Option+Command+M. Under the Enhancements menu, select Match Color as seen above. You can quickly create a cohesive look by matching all of your shots using this technique. Match Color is an awesome Final Cut Pro X color grading tool that instantly color grades a clip to match the color on another clip. Fine tune each clip separately to get a uniform look. Now apply your new retro vintage grade to your other clips. Step 6: Save and Applyįinally, save your custom grade by pressing the Save Effects Preset tab. Since Final Cut Pro X features a robust array of options, shortcuts become almost necessary. For when youre looking to seriously step into production from start to finish, Final Cut Pro X will help you transition. In the Inspector, adjust the Film Grain Style to Realistic Grain. With it, you can not only edit video, but also experience powerful control over audio, motion graphics, and delivery. In the Effects browser, add a Film Grain preset. Adjust the Global settings to increase the saturation uniformly across the Shadows, Midtones, and Highlights. Next, boost the saturation in the Saturation tab. Move the Highlights tab towards the yellows, oranges, and reds. Next you’ll want to warm up the highlights. Simply drag the Shadows icon toward the blue in the color spectrum. You will want to cool your shadows by adding more blue. In Final Cut Pro, you can automatically balance a clip’s color, adjust a clip’s white balance, and match color between clips. Learn as Master Bill explains the basic technique used for. Step Two: Adjust Exposure Settingsįor a retro vintage look, start by opening the Exposure settings and pulling down the Midtones. Master broadcast editor Bill Cammack teaches us and Matt how to match color hue in Final Cut Pro. In the Inspector, you can adjust the Global, Shadows, Midtones, and Highlights settings. ![]() Add the Color Correction effect to your clip. Open up the Effects Browser and Inspector. Motion templates available from to Create a Retro Vintage Color Grade Step 1: Add Color Correction Effect.Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio and iMac. Prerelease Final Cut Pro 10.6.2 tested using a complex 5-minute project with 8K ProRes 422 media. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM and 8TB SSD, as well as production 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM and 8TB SSD.Prerelease Final Cut Pro 10.6.2 tested using a 5-minute project with 4K Apple ProRes 4444 media, at 3840x2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM and 8TB SSD, as well as production 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM and 8TB SSD.Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio. Prerelease Final Cut Pro 10.6.2 tested using a 1-minute picture-in-picture project with 18 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 56 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM and 8TB SSD.macOS Ventura or later is required to edit Cinematic mode video captured on devices with iOS 16 or later. To view the expanded color space in a wide-gamut project, you must use a P3 display. This display profile can be set in System Preferences > Display. ![]() macOS Monterey or later is required to edit Cinematic mode video on devices with iOS 15. Final Cut Pro uses macOS ColorSync technology to match the known color space of an image or video to the color space of an Apple display, according to the display’s ICC profile. ![]()
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